FLORIN
WEBSITE ©
JULIA BOLTON HOLLOWAY,
AUREO
ANELLO ASSOCIATION, 1997-2010: FLORENCE'S
'ENGLISH' CEMETERY
|| BIBLIOTECA E
BOTTEGA FIORETTA MAZZEI
|| ELIZABETH
BARRETT BROWNING || FLORENCE
IN SEPIA || BRUNETTO
LATINO, DANTE
ALIGHIERI AND GEOFFREY
CHAUCER
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MARY SOMERVILLE
AND FLORENCE

Mary
Somerville was a brilliant self-taught scientist. Married twice with
six children, discoverer of two planets, she taught Ada Lovelace, Lord
Byron's daughter, mathematics. Ada next, with Charles Babbage invented
the computer, she suggesting to him using Jacquard loom cards with
holes for coding and the binomial theorem, of zeros and ones.

Mary buried her second husband,
William Somerville, in Florence's
English Cemetery in 1860, dying herself in Naples in 1872. Her tomb in
Naples, by the
twenty-year-old Calabrian, Francesco Jerace, gives a lifesize sculpture
of her. One of her children, her daughter, Martha, edited her
autobiography, publishing it in 1874. We give an excerpt describing her
time in Florence.
Our
next
move
was
to
Florence, where we already knew many people. We had a lease of a house
in Via del Mandorlo, which had a small garden and a balcony, where we
often sat and received in the warm summer evenings. My daughters had
adorned it and the garden with rare creepers, shrubs, and flowers.
We had a
visit from our
friend Gibson, as he passed through Florence on his way to Switzerland.
He told us the history of his early life, as given in his biography,
and much that is not mentioned there. He was devotedly attached to the
Queen, and spoke of her in his simple manner as a charming lady.
Miss
Hosmer was travelling
with Gibson, an American young lady, who was his pupil, and of whose
works he was very proud. He looked upon her as if she had been his
daughter, and she took care of him; for he was careless and forgetful
when travelling. I have the sincerest pleasure in expressing my
admiration for Miss Hosmer, who has proved by her works that our sex
possesses both genius and originality in the highest branches of art.
* * *
In summer we sometimes made
excursions to avoid the heat of
Florence. One year we went to Vallombrosa and the convents of La Vernia
and Camaldoli, which are now suppressed. We travelled on mules or
ponies, as the mountain paths are impracticable to carriages. I
was disappointed in Vallombrosa itself, but
the road to it is beautiful.
Engravings, Augustus J.C. Hare, Florence
La Vernia is highly picturesque, there
we remained two days, which I
spent in drawing. The trees round the convent formed a striking
contrast to the arid cliffs we had passed on the road.
The monks were naturally delighted to see strangers. They belonged
to the order of St Francis, and each in his turn wandered over the
country begging and living on the industry of others. We did not pay
for our food and lodging, but left much more than an equivalent in the
poor-box. Somerville slept in the convent, and we ladies were lodged in
the so-called Foresteria
outside; but even Somerville was not admitted into the clausura at Camaldoli, for the
monks make a vow of perpetual silence and solitude.

Each had his little separate hut and garden, and some distance
above the convent, on the slopes of the Appenines, they had an
establishment called the Eremo,
for
those
who
sought for even greater solitude. The people told us that
in winter, when deep snow covers the whole place, wolves are often seen
prowling about. Not far from the Eremo there is a place from whence
both the Mediterranean and the Adriatic can be seen.
We occasionally went for sea-bathing to Viareggio, which is built
on a
flat sandy beach. The loose sand is drifted by the wind into low
hillocks, and bound together by coarse grass thickly coated with silex.
Among this and other plants a lovely white amaryllis, the Paneration
Maratimu, with a sweet and powerful perfume, springs up. We often tried
to get the bulb, but it lay too deep under the sand. One evening we had
gone a long way in search of these flowers, and sat down to rest,
though it was beginning to be dark. We had not sat many minutes when we
were surrounded by a number of what we supposed to be bats trying to
get at the flowers we had gathered, but at length we discovered that
they were enormous moths, which followed us home, and actually flew
into the room to soar over the flowers and suck the honey with their
long probosces. They were beautiful creatures with large red eyes on
their wings.
* * *
Our life in Florence went on pretty much as usual when all at once
cholera broke out of the most virulent kind. Multitudes fled from
Florence; often in vain, for it prevailed all through Tuscany to a
great extent. The terrified people were kneeling to the Madonna and
making processions, after which it was remarked that the number of
cases was invariably increased. The Misericordia went about in their
fearful costume, in, indefatigable in carrying the sick to the
hospitals. The devotion of that society was beyond all praise; the
young and the old, the artisan and the nobleman, went night and day in
detachments carrying aid to the sufferes, not in Florence only, but to
Fiesole and the villages round. We never were afraid, but we consulted
Professor Zanetti, our medical adviser, whether we should leave the
town, which we were unwilling to do, as we thought we should be far
from medical assistance, and he said, "By no means; live as usual,
drive out as you have always done, and make not the smallest change."
We followed his advice, and drove out every afternoon till near dark,
and then passed the rest of the evening with those friends who, like
ourselves, had remained in town. None of us took the disease except one
of our servants, who recovered from instant help being given.
The Marquis of Normanby was British minister at that time, and
Lady
Normanby and he were always kind and hospitable to us. At her house we
became acquainted with Signora Barbieri-Nini, the celebrated
opera-singer, who had retired from the stage, and lived with her
hsuband, a Sienese gentleman, in a villa not far from Villa Normanby.
She gave a musical party, to which she invited us. The music, which was
entirely artistic, was excellent, the entertainment very handsome, and
it was altogether very enjoyable. As we were driving home afterwards,
late at night, going down the hill, our carriage ran against one of the
dead carts which was carrying those who had died that day to the
burying-ground at Trespiano. It was horribly ghastly - one could
distinguish the forms of the limbs under the canvas thrown over the
heap of the dead. The burial of the poor and rich in Italy is in
singular contrast; the poor are thrown into the grave without a coffin,
the rich are placed in coffins, and in full dress, which, especially in
the case of youth and infancy, leaves a pleasant impression. An
intimate
friend of ours lost an infant, and asked me to go and see it laid out.
The coffin, lined with white silk, was on a table, covered with a white
cloth, strewed with flowers, and with a row of wax lights on either
side. The baby was clothed in a white satin frock, leaving the neck and
arms bare; a rosebud was in each hand, and a wreath of rose-buds
surrounded the head, which rested on a pillow. Nothing could be
prettier; it was like a sleeping angel.
* * *
[See
Atlantic Monthly May
1860 for an account of her time in Florence:
http://etext.lib.virginia.edu/etcbin/toccer-new2?id=AnoMary.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=1&division=div1.]
I lost my husband in Florence on the 26th of June, 1860 . . . From
the
preceding narrative may be seen the sympathy, affection, and
confidence,
which always existed between us.
* * *
Soon after my dear husband's death, we went
to Spezia, as my
health
required change, and for some time we made it our headquarters,
spending one winter at Florence, another at Genoa, where my son and his
wife came to meet us, and where I had very great delight in the
beautiful singing of our old friend Clara Novello, now Countess
Gigliucci, who used to come to my house, and sing Handel to me. It was
a real pleasure, and her voice was as pure and silvery as when I first
heard her, years before.
[Countess Gigliucci's two sons and their Jewish wives, Charlotte
and
Edith, two Moseley sisters from Liverpool, are buried in Florence's
English Cemetery.
COUNTESS
CHARLOTTE SOPHIA GIGLIUCCI/
ENGLAND/ [Coat of Arms]/ CHARLOTTE
SOPHIA, MOGLIE DEL CONTE GIOVANNI GIGLIUCCI/ NATA A LIVERPOOL IL 4
AGOSTO
1841/ MORTA A FIRENZE IL 12 FEBBRAIO 1920/ ET LAUDENT EAM IN PORTIS
OPERA TUA/
C30M
COUNTESS EDITH MARGARET GIGLIUCCI/ ENGLAND
/ [Coat of Arms]/ EDITH MARGARET/ MOGLIE DEL CONTE MARIO GIGLIUCCI/
NATA LIVERPOOL IL 26 AGOSTO 1847/ MORTA IN FIRENZE IL 16 NOVEMBRE 1909// CHARITATEM/
DILEXIT/
C29M
CONTE GIOVANNI GIGLIUCCI/ ITALIA/
[Coat of Arms]/ CONTE GIOVANNI GIGLIUCCI/ PATRIZIO FERMANO, NATO A
FERMO
IL 18 NOVEMBRE 1844/ MORTO A FIRENZE IL 6 DICEMBRE 1906/ VIRTUTE ET
FIDE
BENE QUI LATUIT BENE VIXIT/ C30L

CONTE MARIO
GIGLIUCCI/
ITALIA/ [Coat of Arms]/ CONTE
MARIO
GIGLIUCCI/ PATRIZIO FERMANO/ NATO A FERMO IL 19 NOVEMBRE 1847/ MORTO A
FIRENZE IL 13 GENNAIO 1937/ RECTE ET SUAVITER/ C29M

See in Biblioteca e
Bottega Fioretta Mazzei, Clara
Novello's Reminiscences, edirted by her daughter, Contessa Valeria
Gigliucci,
with a memoir by Arthur D. Coleridge (London: Edward Arnold, 1910),
Biography
Section.]
* * *
At ninety two, Mary Somerville
regrets she
'shall not see the end of
the most atrocious system of slavery that ever disgraced humanity'.
Her tomb in Naples, far from her husband's side, was sculpted by the
then twenty-year-old Francesco Jerace who also sculpted the tomb of
Anne Susanna Lloyd Horner, her friend. In disrepair it now lacks Mary's
full name. It should be brought here with her remains and those of her
daughters to be beside that of her husband William Somerville in
Florence's 'English' Cemetery.


FLORIN
WEBSITE
©
JULIA BOLTON HOLLOWAY,
AUREO
ANELLO ASSOCIATION, 1997-2010: FLORENCE'S
'ENGLISH' CEMETERY
|| BIBLIOTECA E
BOTTEGA FIORETTA MAZZEI
|| ELIZABETH
BARRETT BROWNING || FLORENCE
IN SEPIA || BRUNETTO
LATINO, DANTE
ALIGHIERI AND GEOFFREY
CHAUCER
|| E-BOOKS
|| ANGLO-ITALIAN
STUDIES || CITY
AND BOOK
I,
II,
III,
IV || NON-PROFIT
GUIDE TO COMMERCE IN
FLORENCE
|| AUREO
ANELLO, CATALOGUE